Chris Santiago November Mix
Download audio file (Chris_Santiago_November_2008-Promo-Mix.mp3)

DOWNLOAD

Track List

01 Kandei - Die Graue Herrin [diskomafia]
02 Bingo Players - Get Up [Secure]
03 Hatiras - SpeakerHumper [Hatrax]
04 Dave Spoon - Gas Face (Lee Mortimer Remix) [Toolroom]
05 John Starlight - Road Rage (Popof Remix) [Cocoon]
06 D Ramirez - Shield (Ramirez B Movie Remix) [Azuli]
07 DJ Rooster & Sammy Peralta - Elektriko [Funkatronic]
08 Kelevra & Nathan Boon Ft Ackshon - Like To Freak [Potty Mouth]
09 Armand van Helden - Shake That Ass (Mowgli Remix) [Southern Fried]
10 The Bulgarian - Air Bounce [Potty Mouth]
11 Frew - I Got Something (Adam Bozzetto Rmx) [Vacation]
12 Nick Supply & NFA - She Rock n Roll (Frew Remix) [Vacation]
13 Twocker - Stitch (Bass Kleph Remix) [Vacation]
14 Beep - Pastafari (Kelevra Remix) [Promo Records]
15 Breakdown - Team Axel (Will Bailey Remix) [Promo Records]
16 Tittsworth - WTF (Nadastrom On Drugs Remix) [Plant Music]
17 Crookers - Embrace the Martian (Round Table Knights Rmx) [Southern Fried]

Camilla d'Errico Launch Party 

Saturday, December 13th at El Kartel in Vancouver

I drooled all over this invite before sadly admitting that I would not be able to make it.  However, if you are anywhere in the area - I suggest you try your best!  Most of the clothing at this event is made especially for the show and is limited edition.  There will be new Damage and Devotion t-shirts, Punchbrand embroidered hoodies, and clothing from TAG Galleries.  Plus, Camilla will be releasing her Pooks design on scarves and sweaters for the first time ever!  Camilla is also be pre-releasing the handbag, purse and accessories series from OSO Design House - see a few designs below.

If you are geographically challenged like me and can’t go to the launch party, I suggest popping over to Camilla’s online store to nab a Mountainhead t-shirt (available in both men’s and women’s) for $35. As of today, some lucky ladies will also be able to purchase one of those killer OSO Design House bag collaborations. But don’t delay, there are limited quantities available and these cuties will go fast!

Links:
Noise Floor Crew interview with Camilla d’Errico
Camilla d’Errico Website
Camilla d’Errico Store
El Kartel Website

LIVE @ awakenings…

Download audio file (BAS_MOOY_Awakenings_Amsterdam_Holland_03_10_2008.mp3)

DOWNLOAD THE MIX

Orlando Impact: How did you get into music?

Bas Mooy: From an early age I have been interested in different kind of music, but have to say I was more into rock and punk than electronic music as a teenager. I used to go out clubbing a lot, but always felt like most electronic music was a bit too mellow/soft for me. It was only when I first attended the Strictly Techno parties in Rotterdam, when I instantly got hooked to pounding techno and the underground vibe around it.Those guys were playing proper banging stuff and they were the only ones in Rotterdam, maybe even in Holland at that time. My first night there made me decide to buy decks and a mixer. Pretty soon after that I also started organizing parties and after I had met Jeroen Liebregts through a mutual friend, we decided to look into the possibilities of starting our own label. When I started working at Triple Vision a couple of months later, they had just started distributing some techno labels (among them Heroes by Glenn Wilson), I decided to showcase our plans and they offered us a distribution deal. Audio Assault was born. We also set up sublabel Arms one year later. From the start things went pretty fast, since the first releases got major support from keyplayers such as DJ Rush. When I started to get more and more gigs I decided to quit University after seven years of studying. A major step, but it felt so damn good, even though it meant I had to work some shitty jobs for a while to make a living. Last year I decided to do music fulltime, so I left Triple Vision, which meant i can focus on my music 100% these days.

Orlando Impact: The techno scene around the globe had experienced a kind of difficult time with everything, after a lot of music converting digitally, especially when many companies went bankrupt. Do you think the electronic genre is once again becoming more vital?

Bas Mooy: I am fully confident that it will all pick up soon. Lots of distribution companies went bankrupt because of bad management and just too much low quality releases out there. People got greedy in the end and everybody was putting out way too much material on the market. Regarding the situation of music going more digital, I have to say I was kind of scared of the digital revolution and I actually was really sceptic about everything, since I always tried to support vinyl as much as I could. Releasing only digital didn’t really appeal to me and playing digital seemed kind of ‘too easy’. But after seeing Speedy J and Chris Liebing perform with Traktor and Ableton I got kind of curious and way more enthousiastic about it. In the end its not the medium thats important, its the result and what people experience on the dancefloor. If I can play a better set with Ableton, why shouldn’t I use it? I am even curious which way things are going in the future, dj sets can get so much more interesting. In the end I think everybody will switch to digital, that’s a process that has been started now and which is irreversible I guess, but sometimes you just need to accept things the way they are. Like minimal gave techno a new twist, digital will create a whole new dimension in dj-ing. I feel the electronic scene had some really hard times, but when I look at my own labels, I have to say that the extra digital sales made up for the loss of vinyl sales. Besides that people can start a label now without having to pay major costs for pressing records and transport etc, which lowers the risk for labelowners. I think the digital revolution will bring us many good things, making the scene definitely more vital in the end in many ways.
Orlando Impact: Do you think the whole techno scene has gone too Minimal, or has it returned to it’s roots? Where do you see the Techno scene heading in the future?

Bas Mooy: I think the whole minimal hype was a very logical step in techno getting more and more of the same. Some artist released a new record every 2 weeks and basically killed the scene with this overkill on loopy techno. The beautiful thing about music is that styles will return after a couple of years, it’s all based on trends and cycles, so I don’t worry too much. When techno returns it will probably have evolved a bit and has a slightly different face, but I am confident the more banging stuff will be back. After a period of ‘female-friendly’ slow stuff, people will always be looking for some roughness in the music, so they are gonna be looking for the more banging stuff again. In Holland more and more people are getting fed up with minimal, but it always takes a while before you will notice that in the clubscene. But on the internet forums it already started…more people are looking for pounding stuff again! I decided not to dive into this minimal stuff when it came along, since I really still like it more pounding, but have to say I am taking some of the influences with me in my sets and in my tracks. You should always keep your eyes open and try to be open minded about changes without losing your personal taste. I would never make or play any click-clack minimal stuff, but was very into some of the minimal influenced tunes. I think, at this moment, minimal is experiencing the same overkill as loopy techno did some years ago. Besides that, the minimal djs are starting to play more banging and faster these days, so I guess there will be sort of a crossover sound in the end. I just make and play what I like best, these days my tracks are more 134 bpm then the 140 bpm I used to make them. Not sure if it’s the influence of minimal in general or just the fact I am getting an old man….;) Personally I will still fight my guerrilla battle to put back quality pounding techno in the spotlights, by releasing and producing techno the way I think it should be: dark and pounding! Regarding the minimal hype: we got the message, something had to change, but let’s go back to techno now!

Orlando Impact: Which and how many labels are you currently running? Can you tell us what artists you have slated for releases in the future?

Bas Mooy: I am running Audio Assault and Arms with my labelpartner Jeroen Liebregts. Those are the two labels, where my main focus is on. Besides that I am involved in several other labels, which are distributed by Triple Vision, but more as a advisor these days, then really running the labels. Regarding new releases: We have just released a new Audio Assault by Wavemother, an alter ego of one of our favorite artists, Anton Pieete. Also upcoming are a release by Radial and a solo record by myself. Other stuff coming up I will keep to myself for now, but we have some interesting people who are currently working on tunes for us. So check out our website every now and then. On the next Arms we have a fourtracker by Radial, Luka Baumann, Agony Forces and Carlos Rios & Oliver Kucera. As always, trying to make a good mixture between talent and established names. Charlton an me are also working on some new Diabla Diezco stuff, which will be out in 2009. Also look out for my double pack on Planet Rhythm early next year, which will have co-operations with Radial and Ortin Cam on it and also some of my solo new tunes and remixes by Exium, DJ Boss, Anton Pieete and A. Paul.
Orlando Impact: Can you name a track from your own productions that you like the most, as well as a couple of tracks from other artists that you think are well produced?

Bas Mooy: Since I have been working in my new studio I have been working really hard trying to create a better and new sound. It took me a while, but recently I found the sound I want and I made a lot of new tunes the last couple of months. I am testing out a lot of stuff at the moment and I am very happy that many of the new tracks have been signed already. There’s gonna be a lot of new releases, starting in January, on which I am keen to get out there. Basically, if I have to name tracks I am happy with most it’s always the tunes I made last. So when I look back there are several tracks that I am very happy with, but I still feel that the track I am gonna make next week will be my best so far. At the moment I just finished two tracks for my Audio Assault release, which really stand out in my opinion. Artist I really like are mostly people, who make or used to make the proper banging techno I love so much: Cari Lekebusch’s releases on Kaun Trax, Secret Cinema, Thomas Krome on Corb, old Drumcode ‘techno’stuff, Glenn Wilson on Heroes, Anton Pieete’s techno stuff, Reeko, Go Hiyama, Dj boss, Surgeon (British Murder Boys), Steve Rachmad, Speedy J, Planetary Assault System,The Advent. And probably way more names I can’t remember right now. Ask me tomorrow and I’ll probably come up with more names, it’s just so many tunes that I like…

Orlando Impact: When you’re working on music what equipment are you using?

Bas Mooy: Basically in my studio I use a Mac computer, a good soundcard (Fireface), Genelec speakers, some small controllers and a midi keyboard, Komplete and Kore 2, don’t need more actually I think…

Orlando Impact: Some of techno artists have started returning to a kind of old school studio set-up like out-board stuff after going through new technology. What is your opinion on Hardware vs Software?

Bas Mooy: I’ve been trying out a lot of stuff over the years, mostly software but also some hardware, but have to say I am a big fan of software producing. I think most software is so good these days. With a simple set up you can get great results. It also made producing less complicated and you can work so fast with programs like Ableton. It’s a discussion that has been going on for years of course. Personally I don’t think there’s such a big difference anymore, although hardware producers probably disagree with me. I think software has made music more interesting and easier to work with. When you see that even a lot of the big respected producers sold their hardware and started working more software based, then I think that proofs the results of software are almost similar to hardware. It’s a discussion that will always go on I think, same with playing with mp3’s or vinyl.
Orlando Impact: Do you have any next break artists, Labels or DJs in your mind?

Bas Mooy: That’s a tough question actually. There haven been much new labels and artists lately, that fit the profile of my taste so most of the stuff I play is new stuff from artists that have been in the game for quite some time, combined with older stuff I like. New labels that caught my eye: Dynamic reflection by Paul Boex, Roots by Ortin Cam, Token by Kriz. But there’s not much labels out there anymore that deliver proper banging stuff. Recently I sort of rediscovered A. Paul’s tracks, but he has been in the game for years. One of the things I notice is that there’s not a lot of new producers that make banging techno at the moment, most of the new guys are into minimal. I am really confident there will be a new wave of techno producers in the following years. People that caught my eye lately: Reeko, Go Hiyama, Counterpart, Subspace, Agony Forces, Submerge, Industrialyzer, Ortin Cam, Charlton, Radial, CYP, Luka Baumann…Like I said, mainly names that are in the game for quite some time…

Orlando Impact: What’s coming up next for you? Will you be performing anytime soon in the U.S

Bas Mooy: I have been getting more and more gigs outside Holland over the years, I am playing most in United Kingdom and Spain, but at the moment there’s also a lot of interest from Italy. Up until now I have been in the States only once, 2 years ago. Seems kind of hard to get gigs in the US, although there has been some interest the past two years. But of course the ticket price is kind of high and the club-scene is not as big as in Europe. But i really want to support people who are doing parties in the States. Big up for them to try and put techno on the map in the US! I would be happy to help out spreading the word, so feel free to contact my agent

Angel Alanis Nov Mix

Download audio file (Angel_Alanis_NOV2008_80minTechmix.mp3)

DOWNLOAD HERE

LINK to all Mixes >>

TRACK LIST

1. Christian Dettmann - dub1 - (ddiggler remix) - unknown promo
2. Mini Cool Boyz  - We love Nikkita - Kaufe Musik promo
3. Claude VonStroke - Groundhog Day (Chaim Remix) - Dirty Bird
4. Minimorph - Crazy Days (Original Mix) - Capsula Especial promo
5. Alex Young - Minimalishius (M.N.L & Jhon Doe rmx) - unknown promo
6. Steve Mac - Scatter Brain (Matt Nordstrom Remix) - Saved Records
7. M.Gervais - MooseIt - Solar Cathedral Recordings promo
8. Basti Grub  - Unerleibswaechter - Unknown promo
9. Spektre - Pacemaker - Rotary Cocktail
10. Aoo&ooA - Vodka - Klientele promo
11. Punisher - Soul intersection (Sassmouth PunSamwich Remix) - Hej promo
12. Minimorph- Square World (Original Mix) - Capsula Especial promo
13. Joey Beltram - Shaking Trees - unkown promo
14. H2 - Wobble - unknown promo
15. Noir - Clickit (Rudi Stakker Mix) - unknown promo
16. Marco Effe - Wet June (Fokko Versloot & Koen Lebens remix) - Sk supreme
17. Venue Connection - Madrid Boogie (Axphere remix) - unknown promo
18. Rene Amesz - Ploert (DJ Remy & Roland Klinkenberg Remix)
19. M.Gervais - Sometimes Behaves So Strangely - Solar Cathedral promo
20. 10,000 Watts - Barcode - Impact Mechanics promo

We’re going to get all these all these up to our server because nobody loves Megaupload. But here’s the Dave Clarke set from I Love Techno Saturday, including Dave Clarke’s which features 3 tracks from me and Angel. (One of the unidentified tracks is “Drama Club” by Klientele (Lady Foursquare and Angel Alanis). I will try to figure out exactly where it fits in the playlist and fill that one in, later. Dave has been unwavering in his support of our techno projects. So thanks Dave!!! We appreciate everything.

Enjoy!!

Dave Clarke Live _ I Love Techno 2008.
File Size: 123.95MB
http://www.zshare.net/audio/513941038e2fa7ae/

The Black Dog - Train By The Autobahn (Dj ReMix)
Joel Mull - Proceed
Dave Clarke - Thunder
Ritzi Lee - Black Noiz
Dimitri Andreas - Tiger
Woody McBride - Religious Experience
Diego - Mind Detergent (Robert Hood mix 2)
Dj Hyperactive - Lizard Lounge (Angel Alanis mix)
Jerome Baker - Take Control
Afrojack & Benny Rodrigues - Dinges
Skyman I - Focus
Wyndell Long - Burning
-=UHU=- - Virtual Network
ID
Strange Connection - Midnight In Paris (Millimetric mix)
The Office - Ultimatum (Tom Hades mix)
ID
Dave Clarke - Wisdom To The Wise (Frank Kusserow mix)
ID (Dave Clarke - Thunder remix ?)
Reeko - Natural Selection (Chrisian Wünsch mix)
The Hacker - Falling
Scan X - Spirits
ID
ID
ID
Max Walder - Surcharge
Lady Foursquare - Xcite Bike (Angel Alanis Rework)
Woody McBride - Tell It As It Is
ID (fixmer, probably from upcoming album)

ghetto trackback: http://aimito.blogspot.com/2008/11/i-love-techno-2008-15-nov-2008.html

About a year ago, I received an unexpected package from my best friend Nicholaus.  In it was a signed copy of Beautiful People with Beautiful Feelings by Donny Miller.  This book instantly became one of my favorites, and an item that I constantly purchase copies of to randomly send to friends as was so delightfully done for me.  If you don’t already own a copy, I suggest you purchase one ASAP.  Satisfaction (and much laughter) is guaranteed.  The man is genius!

If you are not already familiar with Donny Miller’s subversive illustrations and saucy art pieces, then you have surely seen his commercial work.  Rooted in skateboard culture, Donny was previously seated as the Creative Director for Vans Shoes and has since provided art direction for RockStar Games, Etnies, Toy Machine, American Apparel, Cartoon Network, Orbit Gum, and several others.  Donny’s success is proof that you don’t need to go to art school to become an accomplished artist.  A man of many talents, he has successfully made a name for himself via various outlets: from designing logos like the Paul Frank signature, the Rusty Surfboards update, the Vans corporate icon, and the Vans Triple Crown Logo to illustrations, advertisements, music videos, and commercials.

Donny took some time out of his super busy schedule to answer some of my questions and I have to admit, this interview is definitely my favorite so far.  Enjoy!

In my opinion, Beautiful People with Beautiful Feelings is the BEST coffee table book ever.  What other books do you think are worthy of coffee table goodness?
Shawn Mortensen, Gregory Crewdson.  There are a bunch.

What is the first thing that usually comes to your mind when you wake up in the morning?
Coffee, who owes me money.

Your art is, without any doubt, a committed message to the world.  What, in your opinion, could help people to react against this world and change it?
See, most people don’t want to believe that they’re headed for a collision.  We’re seeing this with the housing crisis and bailout.  When you give someone a loan who can’t afford it, then of course there will be a fallout.   If you want to get peoples’ attention, grab hold of their money.  If you want to control people, put them in debt.  If you really want to change the world, you have to be that change you want to see.  Ghandi said that.  Be the change.

What inspires you as you begin a new project?
Selfishness.  Bills.

Do you ever say to yourself, “What the fuck am I doing?”  If so, what do you do to get past it?
I don’t give a fuck what people think about me, in relative terms.  People either get it or they don’t.  I don’t have time for it.  Here’s the trick to life.  Just hang out with people who are on your side and want to see you succeed.  Fuck everyone else.  I’ve had to cut people off who were just assholes who didn’t like seeing the successes I’ve had.

Do you believe artistic creativity is innate, generally and personally?
I don’t know if it can be taught.  Enhanced, maybe.  If someone “doesn’t have an artistic bone in their body” they usually become gallery owners and we need them, sometimes.  Plus, there’s more money in that.  The ones who can only draw stick figures are always the ones holding the money bags.

How to make money off of creativity or very little creativity is taught and taught well.  All those Otis and Art Center kids can tell you all about that.  The final courses at those colleges are money managing, portfolio making and the like.  The other colleges just have you draw an old man’s nuts for a few weeks and then expect you to open at the Met.  Somewhere I have a bunch of drawings of an old man’s nuts from life drawing.  They should have called the class nut sack drawing.

Personally, I was born an artist.  I was a better artist when I was a child than I am now because I was way more honest and I wasn’t trying to impress anyone.

You have been selected to go on all expense paid drinking binge for three days with three historical figures - an artist, a writer and one free choice. Who are your drinking buddies?
Myself as a child, Carl Jung and my wife.  We would certainly figure it all out.

Do you think that artists create over-the-top personas for themselves?  Is this based on the ‘myth of the artist’, or the fact that assholes tend to congregate at places serving wine and cheese?
All shit.  I know a lot of artists and they’re all insecure little babies that worry about what people think of them.  Myself included.   Art is kind of a scam.  Artists are always trying to sell you something you really don’t need.  But without artists, how would you know what brand of shoes you’re wearing or where to put your coins in the machine?  All that “myth” shit is a PR company.  A lot of artists have PR companies that get things on the news for them.  That’s just the cult of personality, in a way.

How much money did you spend on gas driving from gas station to gas station to put up those signs in your latest public art piece “Gas Signs Truth in Advertising”?  I¹m also a bit curious as to why you are singling out the oil companies at the local gas stations (who themselves only make cents per gallon as opposed to the huge margins), and not targeting the OPEC?
I used a hot air balloon to get around that ran off of marshmallow swastikas and rainbows.

I’m not targeting the gas stations, rather the companies and what it represents to us right now.  What happened over the summer with gas hitting the high mark, I believe, was the oil companies testing the ceiling for what people would pay.  Gas got too expensive and people stopped doing any driving except what was essential and they saw a drop off.

The reason I didn’t go to a corporate building to put those up was the armed guards.  No one is going to pull up to a gas station with a negative sign on it and then have it suddenly dawn on them that they’re paying too much for gas.  And as far as targeting OPEC, well, I didn’t plan on going to Vienna and lets not even get into the security detail for OPEC.  Plus, I think it’s a little abstract.  It got featured on digg.com.  Man, what a bunch of stupid assholes.  They had no idea what I was driving at and some people are too dumb to get it and even went so far as to defend the oil companies right to gouge us. They have that right and I also have the right to say, that’s wrong.  I’m not going to stand by and not say anything.  So, I’ll spell it out for everyone.

Here is why I did it: Oil companies charged a lot for gasoline.  At the same time, they were making record profits.  So, they were profiting so much that I felt we were being gouged.  I wasn’t the only one.  The Oil CEOs and their lawyers spoke in front of Congress and were asked why gas was so expensive and they said it was just like any other industry’s ups and downs.   Do the math.  We were getting gouged.  I smiled when people came to the rescue of big oil, as if they were in the same league as them.  They never will come to your aid, so remember which side you’re on.

Have you noticed the drop in oil prices?  No thanks necessary.

What do you think of someecards.com?
Those guys who bit my style?  I get a lot of emails asking if I’m affiliated with them.  I’m not, of course.  It’s just a jokey ecard upstart.  On one hand, whatever, lots of people “get inspired” (euphemism for ripping off) or “borrow” a couple things here and there.  In fact, I did a piece recently that read: The only thing we have to fear is opinion becoming fact.  Then I read a quote that went something like “people are entitled to their opinion, not facts.”  I like theirs better.  In a way, it’s saying the same thing, but I wrote that before I read it.  It was a coincidence.  Who knows?  If they did bite my style like many people said they did, I’m flattered - now get your own style.  They want to make stuff for now.  I want to make stuff for forever.

Do you plan to make more music videos?
Yeah and here is why I don’t illegally download music.  When you take away from a band’s money, they don’t have any money for “extras” like music videos.  Then they want someone like me to do a video, but they don’t have any money.  I’m talking about bands I do things for.  Not Mariah Carey or someone like that.  There will most likely be some sort of money for those types, because of the mega tours and product tie-ins.  I would love to have done a Dead Kennedys video.  I think when it gets to movies getting downloaded really bad and people in those industries start closing their doors, then we’ll see a lot more lobbying to get Washington DC to track and punish people.  Count on human nature to ruin it for everyone.  It will be those things that could destroy net neutrality.

This is one of my favorite quotes of yours:

Heroes are only manifestations of ourselves and what we can be.  Never meet your heroes unless you’re prepared to accept them as average people.  If you’d like to be let down, then by all means meet your heroes.  I have people I respect a lot.  Heroes should be limited to comic books.

Can you tell me what prompted this statement?
Have you ever met someone you admire a lot and when you meet them, they’re total assholes?  Me, too.  I really try not to do any hero worship.  Don’t get me wrong, I’m a total asshole and I can be really mean, but not to someone I don’t know.  I’m only that way with the people I love. I met Joe Frank once when I was about 20 or so and he was the biggest fucking asshole I’ve ever met in my life.  Just an arrogant prick.  If I meet someone like that nowadays, I’m quick to ask them why they think they can act like an arrogant asshole?  I love asking people questions they aren’t ready for.  Usually, people aren’t expecting anyone to call them out on those kinds of things.  Glen Friedman was super arrogant.  I was just disappointed, but I was young and I’m sure he thought I was some stupid kid.  I guess, what I was trying to say is - don’t try and make me a hero.  I always try and be nice to people who like my work.  I’m a humble person by choice.  I really hate arrogance.  Fuck you, heroes!

Why aren’t you working on an art object now, instead of answering questions?
You’re an experimental art piece of mine.  I’m going to sell you to a rich family.

What is next for you and your career?
More art.  I’m working on a second book and an art show.  I love fighting, so more fighting and training.  I’m studying Muay Thai Kickboxing.  I love getting punched and kicked.  It makes me feel alive.  It feels good.  That millisecond right when all you can see is the color of the glove is like nothing else.  Landing a solid punch is super satisfying.  It’s a Hemingway sort of thing.

Links:
Donny Miller website
Donny Miller on YouTube
Donny Miller on MySpace
Purchase Beautiful People with Beautiful Feelings here

This is Laidback Luke on FG RADIO!! Luke is an old friend of mine and he might as well be one of the kindest DJs I know. He recently played here in Chicago at our wonderful downtown party spot SPYBAR and it was, for the lack of better words, flawless. Luke’s set was never boring and his selection was a complete hodgepodge of new music mixed with old tunes like Joey Beltram’s “Forklift” on Mute Records. It was an exceptional night with an exceptional DJ and everyone who was there really appreciated it… Enjoy.

Download audio file (laidback_luke_radio-fg_-clubfg-_2008-10-11-vbr(2).mp3)

DOWNLOAD THE MIX

True Pseudo - Novus Ordo Seclorum vol 2

Download audio file (TRUE-PSEUDO_Novus-Ordo-Seclorum_vol-2.mp3)

DOWNLOAD THE MIX HERE

1. True Pseudo - Running out of Time
2. Thieves Like Us - Drugs in My Body (Just a Band remix)
3. MGMT - Kids (Sooulwax remix)
4. Benny Banassi - I am not Drunk (The Bloody Beetroots rmx)
5. The Ting Tings - Shut up and Let me Go (Lazrtag remix)
6. Kanye West - Homecoming (Discotech remix)
7. The American Dream Team - Listen 2 The Music
8. Treasure Fingers - Cross The Dancefloor (Chromeo remix)
9. True Pseudo & After Midnight - Roshambo (Blaine Austin’s LF Hoe remix)
0. Does It Offend You Yeah!!! - We are Rockstars
1. Sharkslayer - So Sincere
2. Hot Pink Delorean - Party Favors
3. Shitdisco - 72 Virgins (Bloody Beetroots remix)
4. B Rich - Aint Here to PArty ft Whiskey Pete
5. AC Slater - JAck got JAcked
6. Deadmau5 - Hi Friend ft MC Flipside
7. True PSeudo - Brapplesauce
8. Jupiter One - Countdown (Designer Drugs remix)
9. John Legend ft Andre 3000 - Green Light (Mstrkrft remix)
0. MIdnight Juggernaughts - Road to Discovery (Miami Horroshow remix)
1. Metro Station - Control (Weird Science remix)
2. Crystal Castles - Crimewave (Sinden remix)
3. Innerparty System - Die Tonight (LA Riots remix)
4. Rihanna - Umberella (Videobrand remix)
5. Fake Blood - Mars
6. Mariah Carey - I’ll Be Loving You Long Time (Designer Drugs remix)
7. MSTRKRFT - Bounce (A Trak remix)
8. True Pseudo & Whiskey Pete - Maxed Out ft Buddy Akai